sull'argomento forse puo' essere di interesse http://is.gd/Ec45Qw con relativo pdf buon Natale! Il 23/12/2012 15:20, J.C. DE MARTIN ha scritto:
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From: Dave Farber <dave@farber.net> Date: 23 dicembre 2012 11:51:03 CET To: "ip" <ip@listbox.com> Subject: [IP] ] E-book restrictions leave 'buyers' with few rights Reply-To: dave@farber.net
---------- Forwarded message ---------- From: Dewayne Hendricks Date: Saturday, December 22, 2012 Subject: [Dewayne-Net] E-book restrictions leave 'buyers' with few rights To: Multiple recipients of Dewayne-Net <dewayne-net@warpspeed.com>
E-book restrictions leave 'buyers' with few rights Unlike the owners of a physical tome, buyers of e-books are licensees with lots of limitations. It's time to change the rules. By Michael Hiltzik December 22, 2012 <http://www.latimes.com/business/la-fi-hiltzik-20121223,0,1032270.column>
There's a crass old joke about how you can never buy beer, just rent it. Who would think that the same joke applies to book buying in the digital age?
But that's the case. Many people who'll be unwrapping iPads, Amazon Kindles or Barnes & Noble Nooks on Tuesday morning and loading them with bestsellers or classics won't have any idea how limited their rights are as their books' "owners."
In fact, they won't be owners at all. They'll be licensees. Unlike the owners of a physical tome, they won't have the unlimited right to lend an e-book, give it away, resell it or leave it to their heirs. If it's bought for their iPad, they won't be able to read it on their Kindle. And if Amazon or the other sellers don't like what they've done with it, they can take it back, without warning.
All these restrictions "raise obvious questions about what 'ownership' is," observes Dan Gillmor, an expert on digital media at Arizona State University. "The companies that license stuff digitally have made it clear that you own nothing."
Typically, e-book buyers have no idea about these complexities. How could they? The rules and limitations are embodied in "terms of service" documents that Amazon, Apple, B&N and other sellers shroud in legalese and bury deep in their websites. That tells you how little they want you to know.
The rules are based, in turn, on the 1998 Digital Millennium Copyright Act, with which Congress hoped to balance the rights of copyright holders and content users. "In the digital environment, that's always been the trickiest balance to strike," Annemarie Bridy, a specialist in intellectual property law at the University of Idaho, told me. In those terms, the DMCA looks like a failure.
Both camps have important rights to protect. Let's start with copyright owners.
In the non-digital world, copyright ends with the first sale of each copyrighted object. Under the "first sale" doctrine, once you buy a book, that physical book is yours to lend, give away, or resell. Copyright is safeguarded by the limitations of physical transfer — once the book is given or loaned, the original buyer no longer has access to it. If a library owns five copies of a book, only five borrowers can read it at the same time. Theoretically a book can be photocopied, but only at great effort and with a perceptible loss of quality.
In digital-dom, however, technology allows infinite copies to be made, with no loss of quality. Absent the usual restrictions, one could give away an e-book and still have it to read. Unrestricted transferability becomes a genuine threat to the livelihood of authors, artists, filmmakers, musicians.
So some limitation is sensible. That's usually done through digital rights management, or DRM, which encodes copy or usage limitations into the digital file. The DMCA protected DRM by outlawing efforts to circumvent it (with a few exceptions).
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