Against the Crowdfunding Economy

Crowdfunding websites marketize goodwill.

by Keith A. Spencer

Which people get to live their dreams and which do not?

In the art world, as elsewhere, success is often tightly correlated with pedigree and acceptance into elite institutions. Simpsons writers are likely to be Harvard grads; musician and writer Leonard Cohen purchased his Greek artist’s retreat with his trust fund; Lena Dunham’s debt-free college education gave her the financial freedom to make her first film.

Of course most artists aren’t so lucky. And amid the increasing consumption of digital media, the conditions for success have become ever more fraught. Instant access to media — and the massive amount of free content online — makes many feel they should be able to watch, listen, or read whatever they want, whenever they want, at no cost to them.

Tech companies, in turn, rely on free content to get eyeballs on their advertisements, and make a tidy profit in the process. Hence, while Silicon Valley profits from our collective free labor, many once-remunerated artists are now paid in exposure.

Famed rocker Iggy Pop recently admitted that he couldn’t survive off his music anymore. Actor Wil Wheaton described his frustration last year at being solicited by Huffington Post to write for free. And Nobel Prize–winning poet Tomas Transtromer was never able to support himself as an artist.

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Continua qui: https://www.jacobinmag.com/2016/05/crowdfunding-kickstarter-gofundme-charity-taxes/