The Scoreboards Where You Can’t See Your Score
By NATASHA SINGER
DEC. 27, 2014
The characters in Gary Shteyngart’s novel “Super Sad True Love
Story” inhabit a continuously surveilled and scored society.
Consider the protagonist, Lenny Abramov, age 39. A digital dossier
about him accumulates his every health condition (high cholesterol,
depression), liability (mortgage: $560,330), purchase (“bound,
printed, nonstreaming media artifact”), tendency (“heterosexual,
nonathletic, nonautomotive, nonreligious”) and probability (“life
span estimated at 83”). And that profile is available for perusal by
employers, friends and even strangers in bars.
It’s a fictional forecast of a data-deterministic culture in which
computer algorithms constantly analyze consumers’ profiles, issuing
individuals numeric rankings that may benefit or hinder them.
Observing a street billboard that publicly broadcasts the score of
each passer-by, the Abramov character says in the novel, “The old
Chinese woman had a decent 1,400, but others, the young Latina
mothers, even a profligate teenaged Hasid puffing down the street,
were showing blinking red scores below 900, and I worried for them.”
In two nonfiction books, scheduled to be published in January,
technology experts examine similar consumer-ranking techniques
already in widespread use.
[…]
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http://www.nytimes.com/2014/12/28/technology/the-scoreboards-where-you-cant-see-your-score.html